1. Clients & The Perception of Value in Design

    May 17, 2010 by Jeff

    Have you ever been out to dinner with a person who judges how good the restaurant is by the size of portions, and only the size of portions? It doesn’t matter whether or not they leave hungry, full or over-full; it doesn’t matter the quality of the food; it doesn’t matter how it was presented or how healthy it was for them. Nope, all that matters is the quantity.

    Some clients view design like this.

    clients and the perception of value in design

    To these clients, the value of their design dollar is based solely on how busy a design is – “how much design” is “in the design”. It’s really unfortunate, as any good designer can attest to the fact that good design is design that engages the viewer; that elicits the proper response and/or action from the viewer.

    Quite often, the more effective design is the simpler design. Over on Drawar, another great design blog, is an article titled “Don’t be a Design Packrat“.  This article talks about, amongst other subjects, the difficulty in reducing a design down to its bare elements in order to create what is needed. This belief is one I subscribe to in most facets of life, especially design. But every so often, we run into a client who might feel they aren’t getting their money’s worth because you came back to them with what they deem a “simple” design – much like a fine restaurant bringing the proper portion of food to you.

    So what do you do when you encounter one of these clients who thinks bang-for-the-design-buck should equal an over-designed final piece of work when a simpler design is a more effective solution?

    It all comes back to educating the client, I suppose. But before we even get there, ask yourself: does this design truly benefit from its simplicity? Or am I just being lazy? Self-awareness is huge for progress in your design career, so ask yourself hard questions like this and answer them truthfully.

    If simplicity is the best solution, it’s time to explain your reasoning to the client. One, good design has to elicit the proper response, or action, from the viewer. An overly busy design is just going to act as a barrier to getting your viewer to complete the action. Two, the value of the design should not be determined by the amount of design elements in the final piece; it’s like saying a meal is good because the portion is huge, not because the final product is tasty and fulfilling. Three, just because a design is “simple” doesn’t mean the designer didn’t put a lot of time into the work. As the previously mentioned Design Packrat article talks about, usually the final piece starts out busier, and the designer spends time paring down unneeded elements. Plus, there is research time, time spent exploring other concepts, final file prep and other areas that are all part of the design process. The term “simple” design can really be a misnomer, as the process to get to that point is far from simple.

    Finally, perhaps try gently reminding your client that they are hiring you for your knowledge of design. The knowledge of design – what works, what doesn’t, and why – is just as, if not more, important as the designer’s Creative Suite skills.

    Hopefully by explaining these things to your client, you can avoid dissatisfaction. Remember, it’s all about having a great client-designer relationship; open communication is huge, and by practicing this you will be able to help clients understanding of value in design.


  2. How to Work with Long-Distance Clients

    November 2, 2009 by Jeff

    Ah, the world wide web. It’s kind of like a cyber-world tour pass – we can go virtually anywhere, at anytime, with a good internet connection. Luckily for us designers, that means the amount of potential clients has increased exponentially. I’ve written about how to get local design clients before; now, I’d like to focus on how to work with long-distance clients.

    The fundamental principles of good project management remain the same, whether your client is local or international – trust & communication. If you can gain one another’s trust, and if you communicate effectively with one another, then a project will run smoothly. But how can we do that if we’re working long-distance, giving up face-to-face meetings and focusing on internet and phone-based communication?

    Working Long Distance with Clients

    Well, let’s approach a long-distance project the same way we’d approach a local project, and I’ll point out ways to combat the small roadblocks that come up. Hit the jump to read the rest of the post!

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  3. 5 Cheap Ways to Find Local Design Clients

    September 14, 2009 by Jeff

    Thanks to this whole “internet” thing, you can have clients all over the world if you’re a designer. Blogs, directories, and software like Skype, iChat and more have completely reshaped long-distance working relationships. However, there is still a lot to be said for local clients.

    Depending on your city (or town, or hamlet, or whathaveyou), chances are there are a lot of locally-owned small businesses in dire need of design work. Luckily, you’re a local designer chomping at the bit to provide it to them. But how can you find these clients (without breaking the bank), and how can these clients find you? Read on for the answers to these questions: 5 cheap ways to find local design clients.

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  4. For Our Clients: Logos

    August 24, 2009 by Jeff

    This is an article in a series called “For Our Clients”. The goal of these articles is to be as transparent as we can with our clients so as to help clarify how we think, what we do, and how we do it. We also hope that these articles can become a resource for clients – sort of an FAQ in article form – that will help broaden the understanding of why certain projects have the characteristics they do.

    Your logo is the face of your business. It needs to project the image you want for your business; it needs to attract your target market; it needs to be effective in a range of mediums. Each client is unique, and thus each client’s logo is unique. So how do you know what a great logo looks like? How can you articulate the qualities of a good logo? What goes in to a logo design process?

    Logo design by Paper Leaf for Jacek Chocolate
    Logo design by Paper Leaf for Jacek Chocolate

    Those questions, and more, are what we aim to answer with this article. If you are looking into hiring a designer to create your logo, or rebrand your business, please read on. This article will tell you what to look for in a logo, and reveal to you exactly how Paper Leaf goes about creating logos for our [many, happy] clients. Hit the jump for more info!

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